FASHIONING THE MODERN FRENCH INTERIOR     POCHOIR PORTFOLIOS IN THE 1920s 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Selected Bibliography

Primary Sources

 

Books:

 

Chevreul, Michel Eugène. De la Loi du contraste simultané des couleurs…. Paris: Pitois-Levrault, 1839. Reprinted as The Laws of Contrast of Colour. . . . Translated by John Spanton. (London: Routledge, Warnes, and Routledge, 1859).

Chippendale, Thomas. The Gentleman and Cabinet-Maker's Director. . . .London: Printed for the author, 1754.

Deshairs, Léon. L’art decoratif français, 1918–25. Paris, Éditions Albert Lévy, [1925?]. Reprinted as Modern French Decorative Art: A Collection of Examples of Modern French Decoration. (London: Architectural Press, 1926).

Farbige Raumkunst. Vol. 4. Stuttgart: Julius Hoffmann Verlag, 1927.

Kahle, Katharine Morrison. Modern French Decoration. New York: G. P. Putnam’s Sons, Knickerbocker Press, 1930.

Pochoirs japonais. Paris, n.p., [1880?].

Rood, Ogden N. Modern Chromatics: With Applications to Art and Industry. London: C. K. Paul, 1879.

Saudé, Jean. Traité d'enluminure d'art au pochoir. Paris: Éditions de l'Ibis, 1925.

 

Periodicals:

L’Art décoratif. Paris, various pubs., 1898–1914.

Art et décoration. Paris: various pubs., 1897–1914, 1919–39, 1946–.

Dekorative Kunst. Munich: F. Bruckmann, 1897–1929.

Deutsche Kunst und Dekoration. Darmstadt: Verlagsanstalt Alexander Koch, 1897–1932.

Innendekoration. Darmstadt: Verlagsanstalt Alexander Koch, 1891–1944.

 

Portfolios:

Badovici, Jean. "Harmonies": Intérieurs de Ruhlmann. Paris: Éditions Albert Morancé, 1924.

———. Intérieurs français. Paris: Éditions Albert Morancé, 1925.

Chareau, Pierre. Meubles. Paris: Éditions d'art Charles Moreau,  [1929?].

Charlet, Gaston. La Décoration moderne dans le textile: 60 motifs en couleur. Paris: Ch. Massin, n.d.

Deshairs, Léon. Intérieurs en couleurs, France. Paris: Éditions Albert Lévy, 1926.

Dufrène, Maurice. Ensembles mobiliers: Exposition internationale 1925. Paris: Éditions Charles Moreau, 1925.

Fleury, Gaston. Décors et ameublements au goût du jour. Paris: Ch. Massin, 1926.

Jöker, Wilhelm. Farbige Räume und Bauten. Stuttgart: G. Siegle, [1929?].

Jourdain, Francis. Intérieurs. Paris: Éditions d'art Charles Moreau,  [1929?].

Lepape, Georges. Les choses de Paul Poiret. Paris: Maquet, 1911.

Motifs Japonais: 40 planches, enluminure exécutée par l'Atelier Ferrariello. Lavallois, France: H. Guillaume, [1925?].

Moussinac, Léon, ed. Intérieurs. 4 vols. Paris: Éditions Albert Lévy, 1924–26.

Petits Meubles du jour. Paris: Éditions d’Art Charles Moreau, [1931?].

Renaud, L. Les Styles dans la décoration intérieure. Paris: Charles Moreau, Librairie d'Art Industriel, 1926.

Répertoire du goût moderne. 5 vols. Paris: Éditions Albert Lévy, 1928–29.

Une Ambassade française, organisée par la Société des Artistes Décorateurs. Paris: Éditions d'art Charles Moreau, 1925.

Verneuil, Adam, and Maurice Pillard Verneuil. Kaléidoscope: Ornements abstraits. . . . Paris: Éditions Albert Lévy, 1925.

 

Secondary Sources:

Adam, Peter.  Eileen Gray: Architect/Designer: A Biography. Rev. ed.  New York:  Harry N. Abrams, 2000. 

Arwas, Victor. Art Deco. New York: Harry N. Abrams, 1980.

———. The Art of Glass: Art Nouveau to Art Deco. Windsor, UK: Andreas Papadakis, 1996.

Auslander, Leora.  Taste and Power: Furnishing Modern France. Berkeley:  University of California Press, 1996.

Aynsley, Jeremy. “Graphic Change, Design Change: Magazines for the Domestic Interior, 1890–1930.” Journal of Design History 19, no.1 (2005): 43–60.

Barthes, Roland. The Fashion System. Translated by Matthew Ward and Richard Howard. Berkeley: University of California Press, 1990.

Bayer, Patricia. Art Deco Interiors. Decoration and Design Classics of the 1920s and 1930s. London: Thames and Hudson, 1990.

Benton, Charlotte, Tim Benton and Ghislaine Wood. Art Deco 1910–1939. London: V&A Publications, 2003.

Bouillon, Jean-Paul. Art Deco, 1903–1940. Translated by Michael Heron. New York: Rizzoli, 1989.

Bréon, Emmanuel, and Rosalind Pepall, eds. Ruhlmann: Genius of Art Deco. Paris: Éditions d’art Somogy, 2004. 

Brown, Jane. The Modern Garden. New York: Princeton Architectural Press, 2000.

Brunhammer, Yvonne, and Chantal Bizot. Cinquantenaire de l'exposition de 1925.  Paris: Musée des Arts Décoratifs, 1976.

Brunhammer, Yvonne, and Suzanne Tise. The Decorative Arts in France, 1900–1942: La Société des Artistes Décorateurs. New York: Rizzoli, 1990.

Byars, Mel. The Design Encyclopedia. New York: John Wiley and Sons, 1994.

Calloway, Stephen. Twentieth-Century Decoration. New York: Rizzoli, 1988.

Cohen, A. A., ed. The New Art of Color: The Writings of Robert and Sonia Delaunay. Translated by D. Shapiro and A. A. Cohen. New York: Viking, 1978.

Day, Susan. Art Deco and Modernist Carpets. San Francisco: Chronicle Books, 2002.

Dorat, Claude Joseph. Les Baisers: Précédés du mois de mai: Poème. Paris: Eddis, 1947.

Duncan, Alastair. Art Deco Furniture: The French Designers. 1984. Reprint, New York:  Thames and Hudson, 1997.

Ercoli, Giuliano.  Art Deco Prints (Pochoir Art Déco). Translated by Linda Fairbairn. New York: Rizzoli, 1989.

Gage, John. Color and Meaning: Art, Science, Symbolism. Berkeley: University of California Press, 2000.

Garvey, Ellen, ed. The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996.

Greenhalgh, Paul. Art Nouveau, 1890–1914. London: V&A Publications, 2000.

Gronberg, Tag. Designs on Modernity: Exhibiting the City in 1920s Paris. Manchester: Manchester University Press, 1998.

Jervis, Simon. The Penguin Dictionary of Design and Designers. Hammondsworth, UK: Penguin Books, 1984.

Leslie, Esther. Synthetic Worlds: Nature, Art, and the Chemical Industry. London: Reaktion, 2005.

McFadden, David Revere, et al. L'Art de Vivre: Decorative Arts and Design in France, 1789–1989. New York: Vendome Press, in association with Cooper-Hewitt Museum, the Smithsonian Institution National Museum of Design, 1989.

McLeod, Mary, ed. Charlotte Perriand: An Art of Living. New York: Harry N. Abrams, in association with the Architectural League of New York, 2003.

Mondrian, Piet. “The Realization of Neoplasticism in the Distant Future and in Architecture Today” (1922). In De Stijl, compiled by Hans Jaffé. Translated by R. R. Symonds, 163–71. London: Thames and Hudson, 1971.

National Museum of History and Technology. Pochoir: Organized from the Collections of the National Museum of History and Technology, Graphic Arts Division. Washington, D.C.: Smithsonian Institution Press, 1979.

Pinchon, Jean-François, ed.  Rob. Mallet-Stevens: Architecture, mobilier, décoration. Paris: Philippe Sers Éditeurs, 1986. Reprinted in English as Rob. Mallet-Stevens: Architecture, Furniture, Interior Design (Cambridge, Mass: MIT Press, 1990).

Placzak, Adolf J., ed. Macmillan Encyclopedia of Architects. New York: Free Press, 1982.

Princeton University Library. Stencil Art of Pochoir: An Exhibition of French Color Prints, 1920–1930, from the collection of Charles Rahn Fry, ’65. Princeton, NJ: Graphic Arts Collection, Princeton University Library, 1982.

Riley, Noël, ed. The Elements of Design: The Development of Design and Stylistic Elements from the Renaissance to the Postmodern Era. London: Mitchell Beazley, 2003.

Snodin, Michael. “Representing Rooms: Plans and Other Drawings.” In Imagined Interiors: Representing the Domestic Interior since the Renaissance, edited by Jeremy Aynsley and Charlotte Grant, 128–29. London: V&A Publications, 2006.

Taylor, Brian Brace. Pierre Chareau: Designer and Architect. Cologne: Taschen Verlag, 1998.

Tiersten, Lisa. Marianne in the Market: Envisioning Consumer Society in Fin-de-Siècle France. Berkeley: University of California Press, 2001.

Troy, Nancy J. Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier. New Haven: Yale University Press, 1991.

———. Couture Culture: A Study in Modern Art and Fashion. Cambridge, Mass.: MIT Press, 2003.

University of California at Santa Barbara Art Museum. Pochoir: Flowering of the Hand-Color Process in Prints and Illustrated Books, 1910–1935. Santa Barbara: University of California, Santa Barbara Art Museum, 1977.

Van Dyk, Stephen H., and Carolyn Siegel. “Vibrant Visions: Pochoir Prints in the Cooper-Hewitt, National Design Museum Library.” Smithsonian Institution Libraries, http://www.sil.si.edu/ondisplay/pochoir (accessed April 12, 2007).

White, Palmer. Poiret. New York: Clarkson N. Potter, 1973.

 

 

 

 

     

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